Bird and woman


1992 Bird and woman

These sculptures tri-dimensioning elements of the tapestry language, a naked craft where every gesture is visible, and delve into the idea of duality with the forms it propose.

Transparent sculptures so that they are passable, to the other side, following with the gaze the spiral thread that in this gesture welcomes the idea of movement

«One would say that she feels faced with infinity, as if one of her pieces were the three-dimensional extraction of a small part of a Gothic tapestry that encompasses you, both for its manifest majesty and for its imponderable serenity», in the words of Albert Macià. (Newspaper “Avui”. 1991).

1996 - Museu Tèxtil d’Indumentària, Barcelona. Catalonia.
1992 - 15ª International Biennial of Contemporary Tapestry. Musée Cantonal des Beaux-Arts. Laussanne. Suïssa.