1996 Perfidious Profiles
These sculptures tri-dimensioning elements of the tapestry language, a naked craft where every gesture is visible, and delve into the idea of duality with the forms it propose.
Transparent sculptures so that they are passable, to the other side, following with the gaze the spiral thread that in this gesture welcomes the idea of movement
«One would say that she feels faced with infinity, as if one of her pieces were the three-dimensional extraction of a small part of a Gothic tapestry that encompasses you, both for its manifest majesty and for its imponderable serenity», in the words of Albert Macià. (Newspaper "Avui". 1991).
RECORREGUT
“Red land“
2004 - MX Espai 1010. CAT, Barcelona. Catalonia.
1996 - Museu Tèxtil d’Indumentària, Barcelona. Catalonia.
1992 - Col·legi d’Aparelladors de Barcelona, CAT. Catalonia.
“Elephant woman and fish“
2004 - MX Espai 1010. CAT, Barcelona. Catalonia.
1996 - Museu Tèxtil d’Indumentària, Barcelona. Catalonia.
“Written with the beak“
2019 - Can Quitèria, Sant Cugat del Vallés, Barcelona. Catalonia.
2004 - MX Espai 1010. CAT, Barcelona. Catalonia.
1996 - Museu Tèxtil d’Indumentària, Barcelona. Catalonia.
"Graal"
2004 - MX Espai 1010, Barcelona. Catalonia.
1996 - Museu Tèxtil d’Indumentària, Barcelona. Catalonia.
1996 - Biennale du Lin du Haute Normandie.
"Manumission"
2004 - MX Espai 1010. CAT, Barcelona, Catalonia.
1996 - Museu Tèxtil d’Indumentària. Barcelona. Catalonia.
"Olympe de Gouges"
2004 - MX Espai 1010. CAT, Barcelona. Catalonia.
1996 - Museu Tèxtil d’Indumentària. Barcelona. Catalonia.
