Sculptures
- Travel Diary 10 de June de 2020
- Fledged 10 de June de 2020
- A sea in the kitchen 10 de June de 2020
- Celebration 10 de June de 2020
- I am the time I have left 10 de June de 2020
- Nightstands 9 de June de 2020
- Press still lifes 8 de June de 2020
- Perfidious Profiles 8 de June de 2020
- Flexible 8 de June de 2020
- Woman with a pig fish for hat 8 de June de 2020
- Bird and woman 8 de June de 2020
- Textilia Vicenza 8 de June de 2020
- The market 8 de June de 2020
- The chair 5 de June de 2020
1991 Textilia Vicenza
These sculptures tri-dimensioning elements of the tapestry language, a naked craft where every gesture is visible, and delve into the idea of duality with the forms it propose.
Transparent sculptures so that they are passable, to the other side, following with the gaze the spiral thread that in this gesture welcomes the idea of movement
«One would say that she feels faced with infinity, as if one of her pieces were the three-dimensional extraction of a small part of a Gothic tapestry that encompasses you, both for its manifest majesty and for its imponderable serenity», in the words of Albert Macià. (Newspaper “Avui”. 1991).
ROUTE
“Cadence”
2004 - MX Espai 1010. CAT, Barcelona. Catalonia.
1996 - Textile Museum of Clothing, Barcelona. Catalonia.
1993 - Phare Sud. Mussée Fleury. Gruissan, France.
1992 - Col·legi d’Aparelladors de Barcelona. CAT. Catalonia.
1991 - Triennial Textilia, Palladian Basilica, Vicenza. Italy.
“Woman of water”
2004 - MX Espai 1010. CAT, Barcelona. Catalonia.
1996 - Textile Museum of Clothing, Barcelona. Catalonia.
1994 - Biennale du Lin du Haute Normandie. France.
1991 - Triennial Textilia, Palladian Basilica, Vicenza. Italy.
