Calligraphies<\/strong><\/p>\nIn this group of pieces, warp and weft come together to explore the architectural possibilities that the art of tapestry has in itself from the elements that make it up and in its historical function as an object related to living spaces.<\/p>\n
They are works that tri-dimension elements of the tapestry language, a naked craft, where each gesture is visible, and it is in the exploration of this gesture that we can follow with our eyes the spiral thread that welcomes the idea of movement.<\/p>\n
Gestures that scan the threads as if they were infinite calligraphy that wanted to describe the idea of time inscribed in a small part of a Gothic tapestry.<\/p>\n
A counterpoint between the guidelines of tradition and a dynamic that will also give artisanal processes the authority of artistic language without losing the conceptual contents.<\/p>\n
ROUTE
\nCalligraphies<\/strong>
\n1985-86 -Europalia 85. Belgium. Department of Culture of Generalitat de Catalunya.
\n1984 - National Textile Art Exhibition. Aranjuez.
\nCapital and arches<\/strong>
\n1987 - Stov Gallery. Amsterdam. Netherlands
\nColumn<\/strong>
\n1988 - Cloister. Pension Fund Foundation. Barcelona. Catalonia.
\n1987 - Stov Gallery. Amsterdam. Netherlands.
\nDouble arch<\/strong>
\n1987 - Stov Gallery. Amsterdam. Netherlands.
\nArc d\u2019Olot<\/strong>
\n1989 - Art Gallery Figueres. Girona. Catalonia.
\nOregano<\/strong>
\n1989 - Art Gallery Figueres. Girona. Catalonia.
\nUrgell's door<\/strong>
\n1989 - Art Gallery Figueres. Girona. Catalonia.
\nThyme<\/strong>
\n1989 - Art Gallery Figueres. Girona. Catalonia.
\nWheat door<\/strong>
\n1989 - Art Gallery Figueres. Girona. Catalonia.
\n1993 - Phare Sud. Muss\u00e9e Fleury. Lodeve\/Gruissan. France.<\/p>\n<\/div>\n<\/div><\/div><\/div>