1984 The chair<\/strong><\/p>\n\u201cThe Chair: Visual Formulas<\/em>\u201d is an exhibition that goes far beyond the common name, the rationality and functionalism of the Bauhaus, the theoretical model of human needs or the object archetype, to introduce in the field of the \u00abdoubtful\u00bb function, of the \u00abnonsense\u00bb, of the social, symbolic, associative significance ..., and of the artistic plurality of our second half of the century ....<\/p>\nThe meaning of life can be sought through social realities: disability. A whole cerebral, emotional and sensitive universe that Marga Ximenez creates from a wheelchair \u2014technique and symbol combine\u2014 Marga plays with the sculptural value of a piece, the colour, the irony ... and almost as if \u00a0we came to a bitter Kafkaesque irony it would be said that \u00ab(...) the continuous tape of life takes you, no one knows where, we are more objects, things, than living creatures\u00bb. Dependency can exist on the object.<\/p>\n
Beyond a common name: \u201cChair\u201d<\/em>, by Gl\u00f2ria Bosch and Mir.
\nFor the ON\/Design Magazine.<\/p>\nROUTE
\n<\/strong>1984 - Pinacoteca Municipal of Tossa, Girona. Catalonia.
\n1984 - Subex\u00a0Gallery<\/a>, Barcelona. Catalonia.
\n1984 - Acad\u00e8mia de Belles Arts de Sabadell i Terrassa, Barcelona. Catalonia.
\n1984 - Museu de Granollers. CAT<\/a>, Barcelona. Catalonia.
\n1984 - Olot, Casa de Cultura de Girona. Catalonia.
\n1984 - Vilanova i La Geltr\u00fa, Barcelona. Catalonia.<\/p>\n<\/div>\n<\/div><\/div><\/div>