1992 Bird and woman<\/strong><\/p>\nThese sculptures tri-dimensioning elements of the tapestry language, a naked craft where every gesture is visible, and delve into the idea of duality with the forms it propose.<\/p>\n
Transparent sculptures so that they are passable, to the other side, following with the gaze the spiral thread that in this gesture welcomes the idea of movement<\/p>\n
\u00abOne would say that she feels faced with infinity, as if one of her pieces were the three-dimensional extraction of a small part of a Gothic tapestry that encompasses you, both for its manifest majesty and for its imponderable serenity\u00bb, in the words of Albert Maci\u00e0. (Newspaper \u201cAvui\u201d. 1991).<\/p>\n
ROUTE
\n<\/strong>1996 - Museu T\u00e8xtil d\u2019Indument\u00e0ria, Barcelona. Catalonia.
\n1992 - <\/em>15\u00aa International Biennial of Contemporary Tapestry.\u00a0<\/em>Mus\u00e9e Cantonal des Beaux-Arts<\/a>. Laussanne. Su\u00efssa.<\/p>\n<\/div>\n<\/div><\/div><\/div>